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・ Marcus Samuelsson
・ Marcus Sandberg
・ Marcus Sandell
・ Marcus Sandys, 3rd Baron Sandys
・ Marcus Sarjeant
・ Marcus Satterfield
・ Marcus Scaurus
・ Marcus Schenkenberg
・ Marcus North
・ Marcus Notley
・ Marcus Nummius Albinus
・ Marcus Nummius Senecio Albinus
・ Marcus Nummius Tuscus
・ Marcus Nummius Umbrius Primus Senecio Albinus
・ Marcus Nyman
Marcus O'Dair
・ Marcus O'Day
・ Marcus O'Keith
・ Marcus O'Sullivan
・ Marcus Octavius
・ Marcus Octavius (disambiguation)
・ Marcus of Calabria
・ Marcus of Jerusalem
・ Marcus of Viterbo
・ Marcus Olaus Bøckmann
・ Marcus Oldham College
・ Marcus Oliveira
・ Marcus Olofsson
・ Marcus Olsson
・ Marcus Olsson (ice hockey)


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Marcus O'Dair : ウィキペディア英語版
Marcus O'Dair

Marcus O'Dair is an English writer, musician/manager, broadcaster and lecturer. He is most notable for his work as part of the band Grasscut, described by ''Clash'' magazine as "genuinely daring electronica artists". He is also notable for his 2015 biography of musician Robert Wyatt, a book described in the ''London Review of Books'' as "fascinating".
== Career ==
O'Dair works as both a music lecturer and journalist. He is also the author of ''Different Every Time: the Authorised Biography of Robert Wyatt'', which was published by Serpent's Tail and features a foreword by Jonathan Coe. The book was described by ''The Guardian'' as "exhaustive and affectionate", and as an "meticulous and vivid account".〔 He co-compiled the accompanying compilation, released by Domino Records.
As a writer, he has written for publications including ''The Guardian'' and the ''Financial Times''.
O'Dair is a regular studio guest on The Freakzone (BBC 6 Music) with Stuart Maconie, and in 2015 recorded an essay about swimming in the Lake District for BBC Radio 3.
Along with the songwriter Andrew Phillips, O'Dair is one half of Grasscut, who have previously released two albums on Ninja Tune (''1 Inch: 1/2 Mile'' and ''Unearth'') and a third on Lo Recordings, 2015's ''Everyone Was A Bird''. The band have been described as building their reputation on "writing about situations and places, rather than standard pop songs", with ''The Quietus'' reviewing ''Everyone Was A Bird'' as "that rare slab of post-rock that uses the genre's textures and general ethos of exploration to create new sounds instead of rehashing old ones".〔
O'Dair is also a lecturer in Popular Music at Middlesex University.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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